tag:blogger.com,1999:blog-90470295818347951192024-03-13T18:56:25.291+08:00陳怡潔 Agi CHENAgi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.comBlogger21125tag:blogger.com,1999:blog-9047029581834795119.post-86442480005980744532013-10-04T07:13:00.000+08:002013-10-04T07:13:19.824+08:00Visiting D.C Thomson in Dundee<div class="separator" style="clear: both; text-align: center;">
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<br />Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0英國丹地城鄧迪56.462018 -2.970721000000025956.321713 -3.2934445000000259 56.602323 -2.647997500000026tag:blogger.com,1999:blog-9047029581834795119.post-72398934869950033332013-07-16T09:25:00.000+08:002013-07-16T09:25:38.530+08:00 Taiwan Panorama :'Tooning up: artist Agi Chen offers a cool take on her greatest passion<div class="separator" style="clear: both; text-align: center;">
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-61942877385561661642013-07-09T11:07:00.001+08:002013-07-09T11:07:16.756+08:00artists at glenfiddich 2013: UNLEASHED FROM THE EAST....<a href="http://artistsatglenfiddich.blogspot.com/2013/07/unleashed-from-east.html?spref=bl">artists at glenfiddich 2013: UNLEASHED FROM THE EAST....</a>: Its been a busy 24 hours. The Slug has been fair rushed off its own slime trail up and down to Aberdeen airport. Collecting firstly, Jung...<br />
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-49106334338817499282013-07-09T11:03:00.001+08:002013-07-09T11:04:03.014+08:00重修舊好 Turn Back The Time 2013國立台灣博物館歷史投影演出<br />
Architectural Projection Mapping at National Museum<br />
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<span style="font-family: 新細明體; mso-ansi-language: EN;">以歷史建築物作為投影創作的介面,即為揭露它迷人之處-一種不屬於當下而獨步當下的優雅。</span><span lang="EN-US" style="font-family: 新細明體;"><o:p></o:p></span></div>
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<span lang="EN" style="font-family: 新細明體; mso-ansi-language: EN;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: 新細明體; mso-ansi-language: EN;">有歷史感的建築體是一個深具往返過去與當下的時光轉換介面,具備著開</span><span style="font-family: 新細明體; mso-ansi-language: EN; mso-bidi-font-family: "Adobe 明體 Std L"; mso-hansi-font-family: "Adobe 明體 Std L";">啟</span><span style="font-family: 新細明體; mso-ansi-language: EN;">、穿越的語言,且同時作為標誌區域的座標點。繼<span lang="EN">2010</span>年所製作的<span lang="EN">"</span>時光流<span lang="EN">.</span>記憶體<span lang="EN">"</span>之作,<span lang="EN">"</span>重修舊好<span lang="EN">" </span>一作將以國立台灣博物館的建築延革作為概念設計的</span><span style="font-family: 新細明體; mso-ansi-language: EN; mso-bidi-font-family: "Adobe 明體 Std L"; mso-hansi-font-family: "Adobe 明體 Std L";">腳</span><span style="font-family: 新細明體; mso-ansi-language: EN;">本。整個動畫製作約達十分鐘,串聯台博館的三個歷史階段,帶領觀眾進行一趟時光之旅旅 。時間軸上第一段以台博館蓋館前<span lang="EN">1888</span>年<span lang="EN">~1908</span>年間位於此地的台北大天后宮時期;第二段為建館起<span lang="EN">1908~1945</span>年年日治的台灣總督博府物館時期;以及第三段<span lang="EN">1945</span>年年至今台博館歸台後的博物館時期。透過對於歷史的追溯,這件作品所傳達的是藉由歷史去想像歷史。許多人、事、物等發生的情境隨著時間的流逝而消逝,因此我們必須藉由歷史去對過去進行想像與重建,而所謂歷史的呈現不盡然是文字的,它還包括了圖像、聲音<span lang="EN">...</span>等等,而作品中的視覺符號與聲音元素就像是時空轉換的傳送點,接觸到它們,我們即將展開時光之旅。</span><span lang="EN-US" style="font-family: 新細明體;"><o:p></o:p></span></div>
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-82305883017718343312013-07-09T10:38:00.003+08:002013-07-09T10:38:42.266+08:00The Beauties<div class="separator" style="clear: both; text-align: left;">
The Beauties -Solo show of Agi CHEN in VT Art Salon /2013</div>
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<span id="goog_709985537"></span><span id="goog_709985538"></span>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-92162089778636753502013-07-09T10:26:00.003+08:002013-07-09T11:41:58.457+08:00圈圈島 Circle Island<div class="separator" style="clear: both; text-align: left;">
圈圈島展出於 2012 關渡雙年展/ Circle Island in Kuandu Biennale 2012</div>
Link: <a href="http://www.kdmofa.tnua.edu.tw/index.php?REQUEST_ID=bW9kPWV4JnBhZ2U9ZXNzYXkmRUlEPTE1MCZJRD00OSZZWT0yMDEy">http://www.kdmofa.tnua.edu.tw/index.php?REQUEST_ID=bW9kPWV4JnBhZ2U9ZXNzYXkmRUlEPTE1MCZJRD00OSZZWT0yMDEy</a><br />
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<span style="font-family: 華康金楷書體W3-P;">圈圈島」是一個集體共感的視覺記憶資料庫,每個島民都遙在我們的記憶深處- 色被色彩再度虛構的卡漫角色。</span><br />
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<span lang="EN-US" style="font-family: 新細明體;"> </span><span style="font-family: 新細明體;">「函數色彩」是我從<span lang="EN-US">2004</span>年開始發展的創作,在創作過程中以幾何圖形同心圓為基礎對卡漫角色的色彩進行轉置並且把它們重新置入卡漫的原始場景,探究卡漫角色的訊息式的色彩系譜以及其透過大眾傳播而深植大眾腦海中的集體視覺記憶。 <span lang="EN-US">2010</span>年底起我開始開放網友訂製卡漫角色同心圓,並且在具有微網誌特質的<span lang="EN-US">Facebook</span>社交網站介面上成立「圈圈島」網路社群。向我訂製卡漫角色之色彩同心圓的網友在社團中分享卡漫角色與劇情或者與之有交集的各種連結。隨著社團成員的增加卡漫角色的系譜的觸角也延伸的更廣,「圈圈島」將「函數色彩」的概念擴充成一個集體共感的視覺記憶的資料庫,一種透過網路連結而產生的社群式田野調查。</span><span style="font-family: 新細明體;">在這件作品中我想探索的還有訊息傳遞過程所呈顯出的群體的心理運動軌跡,因為這個心理運動的軌跡除了意味著網路媒體年代訊息傳遞的路徑與方法,也意謂著網路提供了一種合作式的與開放式的的群體協作。</span></div>
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<span lang="EN-GB" style="font-size: 14pt;">The idea of<i> “Circle Island”</i> :<o:p></o:p></span></div>
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<i><span lang="EN-GB">“Circle Island” is a collective visual memory database. Every citizen of the island are tuck away deep down within our memory, characters with fabricated colors.<o:p></o:p></span></i></div>
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<span lang="EN-GB" style="font-size: 14pt;"> “</span><i><span lang="EN-GB">Circle Island”</span></i><span lang="EN-GB"> is based on my series works “<i>Function Color”</i> which I started to develop since 2004. During the process of working on “</span><span lang="EN-US">Function Colors</span><span lang="EN-GB">”, I transform the characters into centric circles and replace the circles back in to the original setting of the cartoon scenes. By the end of 2010, I started accepting orders of characters circles from Facebook users, and created a ‘Circle Island Group’ on social networking website Facebook. Members that order characters circles share the character traits and cartoon plot or links related to the character in the group. As members increase, so does the lineage and reach of these characters. “<i>Circle Island”</i> takes the concept of “<i>Function Color”</i> and expanded into a collective visual memory database, a method of field research that is carried out through Internet and social networking groups. Within this piece of work, I am also looking to explore group psychological movements during the delivery of information, because this represents the method and path which information are delivered in the era of Internet media, and also meant Internet provided a cooperative and open platform for collaborative work.</span><br />
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<br />Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-36044147079466545922013-07-09T10:01:00.003+08:002013-07-09T10:01:24.920+08:00再造物語-家族系譜 The Reproduction-Family<div class="separator" style="clear: both; text-align: left;">
Exhibited in the show "The Spectator(旁觀者)" /2012<br /><a href="http://artemperor.tw/news/1893">http://artemperor.tw/news/1893</a></div>
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<br />Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-20114317997511356192013-07-09T08:46:00.000+08:002013-07-09T08:46:05.851+08:00波光/ Light Waves @ KOBE Biennale 2011<div class="separator" style="clear: both; text-align: left;">
KOBE Biennale 2011:<a href="http://www.kobe-biennale.jp/_2011/compe/container/2011_e.html"><br />http://www.kobe-biennale.jp/_2011/compe/container/2011_e.html</a></div>
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<br />Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-54209997313691533432011-08-08T04:06:00.000+08:002013-07-09T08:10:03.389+08:00二十一個房間/白南準藝術中/ NJP Summer Festival 21Rooms 2011<h2 class="stit" style="font-family: Arial, sans-serif; font-size: 18px; margin: 0px 0px 8px; padding: 0px; text-indent: 5px;">
NJP Summer Festival 21Rooms: <a href="http://www.njpartcenter.kr/en/program/sp_exhibitions/show.asp?id=124&pos=8&page=1">http://www.njpartcenter.kr/en/program/sp_exhibitions/show.asp?id=124&pos=8&page=1</a></h2>
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<br />Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-26422038365753179582011-03-16T19:35:00.002+08:002012-08-14T04:19:37.730+08:00Artist Residency in Phuket 2011/02/07-20<div class="separator" style="clear: both; text-align: center;">
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SOMETHING RED IN PHUKET</div>
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<span class="Apple-style-span" style="font-family: Arial; font-size: x-small;">The idea of Something Red In Phuket is a combination of my impression of Phuket Old Town and the reference from my works. My impression of Phuket Old Town is very passionate and expanded, and I found it might be because of the mix-culture of Tailand, China and Western Countries. So I try to rebuild a vision of this mix-culture condition through red color researching project. The reason of choosing red color is because I found it is used largely in many ways here. I want to take pictures of things in red here, and find out the different references of these same color things. </span></div>
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<span class="Apple-style-span" style="font-family: Arial;">Project Maneger:信藤博之/ Hiroyuki Nobuto</span></div>
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<span class="Apple-style-span" style="font-family: Arial;">Organizer: </span><span lang="EN-US" style="font-family: TimesNewRomanPS-BoldMT, sans-serif; font-size: 11pt;">Osaka City University Urban </span><span lang="EN-US" style="font-family: TimesNewRomanPS-BoldMT, sans-serif; font-size: 11pt;">Research
Plaza</span> <span class="Apple-style-span" style="font-family: Arial;"><br /></span><span style="font-family: Arial;">Related blog:</span></div>
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<span class="Apple-style-span" style="font-family: Arial;"><a href="http://something-red-phuket.blogspot.com/">http://something-red-phuket.blogspot.com/</a></span></div>
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com1tag:blogger.com,1999:blog-9047029581834795119.post-67117720225223311822011-01-26T03:29:00.002+08:002012-08-14T04:08:52.112+08:00簡歷/PORTFOLIO<div class="MsoNormal" style="text-align: left;">
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<span class="Apple-style-span" style="color: #666666; font-family: 'Apple LiGothic Medium'; font-size: 13px;">陳怡潔</span></div>
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<span style="font-family: 新細明體; font-size: 10pt;">出生於桃園,台灣(<span lang="EN-US">1980</span>),目前居於台北,就讀於國立台南藝術大學藝術創作理論博士班<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: 新細明體; font-size: 10pt;">國</span></b><b><span style="font-family: 新細明體; font-size: 10pt;">內</span></b><b><span style="font-family: 新細明體; font-size: 10pt;">外獲得獎助<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2011<b> </b></span><span style="font-family: 新細明體; font-size: 10pt;">神戶雙年展-貨櫃藝術競賽獲獎,神戶,日本<b><span lang="EN-US"><o:p></o:p></span></b></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2011
</span><span style="font-family: 新細明體; font-size: 10pt;">普吉島藝術駐村計畫<span lang="EN-US">Vol. 13</span>, 大阪市立大學都市研究廣場,泰國<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">國家藝文基金會創作獎助<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2009
</span><span style="font-family: 新細明體; font-size: 10pt;">台北市文化局藝文展覽獎助<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">台灣與英國國際藝術家駐村獎助,<span lang="EN-US">Loughborough University</span>,英國<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">國家藝文基金會展覽獎助<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2006
</span><span style="font-family: 新細明體; font-size: 10pt;">世安美學獎,世安美學基金會,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2005
</span><span style="font-family: 新細明體; font-size: 10pt;">國家藝文基金會展覽獎助<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2005
</span><span style="font-family: 新細明體; font-size: 10pt;">台北美術獎首獎,台北美術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2005
</span><span style="font-family: 新細明體; font-size: 10pt;">亞洲文化協會駐村交流計畫,<span lang="EN-US">Arcus </span>藝術村,日本<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: 新細明體; font-size: 10pt;">美術館典藏<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《關鍵影格》,白兔美術館,雪梨<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2011
</span><span style="font-family: 新細明體; font-size: 10pt;">《花毛泡的星期三》,鳳甲美術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《再造物語》,國立台灣美術館,台中<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《趨光體》,國立台灣美術館,台中<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2006
</span><span style="font-family: 新細明體; font-size: 10pt;">《超能救世主》,國立台灣美術館,台中<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: 新細明體; font-size: 10pt;">公共藝術<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《指間的詩緒》,台北縣政府,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《時光流,記憶體》,國立台灣博物館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《雲影鎏光》,新港藝術高中,嘉義<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: 新細明體; font-size: 10pt;">個展<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《關鍵影格》,布</span><span style="font-family: 新細明體; font-size: 10pt;">查</span><span style="font-family: 新細明體; font-size: 10pt;">當代藝術空間
,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2009
</span><span style="font-family: 新細明體; font-size: 10pt;">《集體共遊》,非畫廊,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2009
</span><span style="font-family: 新細明體; font-size: 10pt;">《再造物語》,伊通公園,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《陳怡潔個展》,泰郁美學堂,嘉義<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">《訊息人》,伊通公園,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">《疏遠的逼視》,新竹教育大學藝術空間,新竹<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2006
</span><span style="font-family: 新細明體; font-size: 10pt;">《</span><span style="font-family: 新細明體; font-size: 10pt;">啪</span><span style="font-family: 新細明體; font-size: 10pt;">》,關渡美術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2006
</span><span style="font-family: 新細明體; font-size: 10pt;">《函數色彩》,文賢油漆工程行,台南<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: 新細明體; font-size: 10pt;">聯展<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2012
</span><span style="font-family: 新細明體; font-size: 10pt;">《<span lang="EN-US">2012</span>關渡雙年展》,關渡美術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2012
</span><span style="font-family: 新細明體; font-size: 10pt;">《首屆<span lang="EN-US">CAFAM</span>未來展》,中央美院美術館,北京<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2011
</span><span style="font-family: 新細明體; font-size: 10pt;">《旁觀者-何采柔<span lang="EN-US">X</span>陳怡潔雙人展》,非畫廊,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2011
</span><span style="font-family: 新細明體; font-size: 10pt;">《<span lang="EN-US">KIRA</span>》,神</span><span style="font-family: 新細明體; font-size: 10pt;">戶</span><span style="font-family: 新細明體; font-size: 10pt;">雙年展,神</span><span style="font-family: 新細明體; font-size: 10pt;">戶</span><span style="font-family: 新細明體; font-size: 10pt;">,日本<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2011
</span><span style="font-family: 新細明體; font-size: 10pt;">《二十一個房間》,白南準藝術中心,韓國<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《後青春》,國立台灣美術館,台中<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2010
</span><span style="font-family: 新細明體; font-size: 10pt;">《台灣藝術新世代》,上海美術館,上海<span lang="EN-US"> ; </span>今日美術館,北京<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2009
</span><span style="font-family: 新細明體; font-size: 10pt;">《急凍醫世代_<span lang="EN-US">2009 </span>醫療與科技藝術國際展 》,國立台灣美術館,台中<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2009
</span><span style="font-family: 新細明體; font-size: 10pt;">《激情心靈—十七位台、日新世代藝術家錄像展》,台北美術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《小碎花不—變亂新世代》,台北當代藝術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《家_<span lang="EN-US">2008
</span></span><span style="color: #3f3f3f; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">台灣美術雙年展</span><span style="font-family: 新細明體; font-size: 10pt;">》,國立台灣美術館,台中<span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《</span><span lang="EN-US" style="color: #3f3f3f; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">ART IS NOW_</span><span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008 </span><span style="color: #3f3f3f; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">釜山雙年展</span><span style="font-family: 新細明體; font-size: 10pt;">》,釜山<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《</span><span lang="EN-US" style="color: #3f3f3f; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">The Light Enters You</span><span style="font-family: 新細明體; font-size: 10pt;">》,<span lang="EN-US"> ISSEY MIYAKE </span>台中大店,台中<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《</span><span style="color: #3f3f3f; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">尋找馬緯度—圓轉中的相對靜止</span><span style="font-family: 新細明體; font-size: 10pt;">》,<span lang="EN-US">MOT ARTS</span>,台北<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2008
</span><span style="font-family: 新細明體; font-size: 10pt;">《</span><span style="color: #131313; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">泡沫紅茶:台灣藝術.當代演繹</span><span style="font-family: 新細明體; font-size: 10pt;">》,</span><span style="color: #131313; font-family: 新細明體; font-size: 10.0pt; mso-bidi-font-family: LiGothicMed; mso-hansi-font-family: LiGothicMed;">捷克國立摩拉維亞美術館</span><span style="font-family: 新細明體; font-size: 10pt;">,捷克<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">《移動<span lang="EN-US">-</span>台灣當代壹拾伍人行》,大未來畫廊,北京<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">《<span lang="EN-US">Frolic:
Humor and Mischief in New Taiwanese Art</span>》,<span lang="EN-US">2x13 </span>畫廊,紐約<span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">《粉樂町<span lang="EN-US">II
</span>》,富邦藝術基金會,台北<span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2007
</span><span style="font-family: 新細明體; font-size: 10pt;">《迷離島─台灣當代藝術現象展》華盛頓藝術科學宮、溫哥華當代亞洲藝術國際中心,國<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體; font-size: 10pt;">立台灣美術館<span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2006
</span><span style="font-family: 新細明體; font-size: 10pt;">《<span lang="EN-US">ICON</span>》,索卡當代空間,北京<span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2005
</span><span style="font-family: 新細明體; font-size: 10pt;">《膜中魔》,台北當代藝術館,台北<span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 10pt;">2005
</span><span style="font-family: 新細明體; font-size: 10pt;">《<span lang="EN-US">See</span>.戲教育特展》,國立台灣美術館,台中</span><span lang="EN-US" style="font-family: 新細明體;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: 新細明體; font-size: 10pt;"><br /></span></div>
</div>
<div class="MsoNormal" style="font-size: small;">
<br /></div>
<div class="MsoNormal" style="font-size: small;">
<span class="Apple-style-span" style="font-family: 'Apple LiGothic Medium';"><b><span lang="EN-GB" style="color: #666666; font-size: 11pt;"><br />
</span></b></span></div>
<span class="Apple-style-span" style="color: #666666; font-family: 'Apple LiGothic Medium';"> </span><br />
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<br />
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<b><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 14.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Agi,
Chen Yi – Chieh<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Born in Taoyuan, Taiwan (1980). Based
in Taipei and studying the “Doctoral Program in
Art Creation and Theory” in Tainan National University of the Arts,
Tainan, Taiwan<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">AWARDS& GRANTS<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: 'Times New Roman'; font-size: 10pt;">2</span><span lang="EN-US" style="font-family: 'Times New Roman'; font-size: 11pt;">011 <i> Art in a Container International Competition”,</i><b>
</b>Prize Winner, Kobe Biennale, Kobe, Japan</span><span lang="EN-US" style="font-family: 'Times New Roman'; font-size: 10pt;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2011 <i>Artist in Residency
program in Phuket. Vol.13, </i>Osaka City University Urban<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Research Plaza, Tailand<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>NCAF grant for visual art<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2009 <i>Grants for professional
art, </i>The Taipei City Department of Cultural Affairs.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>NCAF grant for visual art<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Taiwan-England artists’
residency program 2007, </i>Loughborough University, UK<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2006 S</span><span style="font-family: "MS 明朝"; font-size: 11.0pt; mso-ascii-font-family: TimesNewRomanPS-BoldMT; mso-bidi-font-family: TimesNewRomanPS-BoldMT; mso-hansi-font-family: TimesNewRomanPS-BoldMT;">.</span><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">An Arts award, S</span><span style="font-family: "MS 明朝"; font-size: 11.0pt; mso-ascii-font-family: TimesNewRomanPS-BoldMT; mso-bidi-font-family: TimesNewRomanPS-BoldMT; mso-hansi-font-family: TimesNewRomanPS-BoldMT;">.</span><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">An Culture Foundation, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2005 <i>NCAF grant for visual art,
Taipei<o:p></o:p></i></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2005 <i>ACC Residency Program in
Asia</i>, Arcus Studio, Japan<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2005 Taipei Arts Award, Prize
winner, Taipei Fine Arts Museum, Taipei<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<b><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">WORKS COLLECTED BY MUSEUMS<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2012<i> The Key Frames</i>,</span><span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;"> White Rabbit Gallery, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2011 <i>The Wednesday of Hau Mau
Pau</i>,</span><span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;"> Hong Gah Museum, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>The Reproduction- Male and
Female, </i>National Taiwan Museum of Fine Arts,<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Taichung<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2008 <i>Phototaxis-KTV, </i>National
Taiwan Museum of Fine Arts, Taichung<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2006 <i>Heroic Colors, </i>National
Taiwan Museum of Fine Arts, Taichung<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">PUBLIC ART PROJECTS<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">201</span><span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;">1</span><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;"> <i>Poetry On Fingers, </i> New Taipei City Hall, New Taipei City<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>Cloudy Shadow, Gilt Light</i>,
National Singang Senior High School of Arts, Chayi<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>Time Fluid, Memory Clumps,
</i>National Taiwan Museum, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">SOLO EXHIBITIONS<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>The Key Frames</i>,
Butchart National Contemporary Art Space, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2009 <i>Collective Peregrination</i>,
Non Gallery, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2009 <i>Reproduction</i>, IT-Park,
Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Agi CHEN Solo Exhibition</i>,
Tai Yu Arts Salon, Chia Yi<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Messenger</i>, IT PARK,
Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Distantly Gazing, </i>,NHCUE
ARTIST SPACE, Hsinchu<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2006 <i>Watering, </i>Kuandu
Museum of Fine Arts, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2006 <i>Function Color, </i>Paint-House,
Tainan<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">GROUP
EXHIBITIONS<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;">2012<i> 2012 Guandu Biennale, </i></span><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Guandu Museum</span><span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;"> of </span><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Fine
Art, Taipei</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;">2012 <i>CAFAM</i></span><b><span lang="EN-US" style="background: white; color: #666666; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";"> · </span></b><i><span lang="EN-US" style="font-family: Times; font-size: 11.0pt; mso-fareast-font-family: "Times New Roman";">F</span></i><i><span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;">uture, </span></i><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">CAFAM Art Museum, Beijing</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;">2011 <i>Spectators</i></span><i><span style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;">-<span lang="EN-US">Joyce
Ho and Agi Chen, </span></span></i><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Non
Gallery, Taipei</span><span lang="EN-US" style="font-family: 新細明體; font-size: 11.0pt; mso-bidi-font-family: 新細明體; mso-hansi-font-family: 新細明體;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2011 <i>Kira</i>, 2011KOBE Biennale, Kobe, Japan<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2011 <i>21Rooms</i>, Nam June Paik Art Center, Gyeong-Gi, Korea<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>Post-Adolescence</i>, National
Taiwan Museum of Fine Arts, Taichung<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2010 <i>New Generation of Art in
Taiwan</i>, MOCA Shanghai, Shanghai<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2009 <i>Freeze!_2009 International
MEDTECH Art Show</i>, National Taiwan Museum of Fine<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Arts, Taichung<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2009 <i>Mind as Passion, </i>Taipei
Fine Arts Museum, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2008 <i>SuperGeneration@Taiwan, </i>MOCA
Taipei, Taipei<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2008 <i>Home_Taiwan Biennale 2008</i>,
National Taiwan Museum of Fine Arts, Taichung,<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2008 <i>Art is Now_Busan Biennale
2008, </i>Exhibition Hall of Busan, Busan<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2008 <i>The Light Enters You–
Taiwan Given * Y.T.A, </i>Taichung ISSEY MIYAKE<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">BOUTIGUE, Taichung<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2008 <i>Bubble Tea: Art of Taiwan
and its Contemporary Mutations, </i>The Moravian<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Gallery in Brno, Czech Republic,
Czech<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>City to city, </i>Ling&Ken
Gallery, Beijin, Taipei<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Forlic: Humor and Mischief
in New Taiwanese Art, </i>2x13 Gallery, New York<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Very Fun Park:
Contemporary Art from Taiwan, </i>Fubon Art Foundation, Taipei<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2007 <i>Taiwan: From within the
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Asian Art<o:p></o:p></span></div>
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Contemporary Space, Beijing<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">2005 <i>See</i></span><span style="font-family: "MS 明朝"; font-size: 11.0pt; mso-ascii-font-family: TimesNewRomanPS-BoldMT; mso-bidi-font-family: TimesNewRomanPS-BoldMT; mso-hansi-font-family: TimesNewRomanPS-BoldMT;">.</span><i><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">Play</span></i><span lang="EN-US" style="font-family: "TimesNewRomanPS-BoldMT","sans-serif"; font-size: 11.0pt; mso-bidi-font-family: TimesNewRomanPS-BoldMT;">, National Taiwan Museum of Fine
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-47997568629395262432011-01-18T02:46:00.008+08:002011-01-24T02:37:28.178+08:00Public Art:指尖的詩緒/Poetry of Fingertips-Public Art Project of CABTC<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzUL19PWJx02_iDRfs4ZJ8i0YPbpP8nI8g-lg7BIKOvGi3kmOXPHb3wRdg_ZQa9SpSQNvLgN8WflQVZZ1xmDNskGCAs6YeDlrVwJkJ0pzJ3GBlzbCUt5k7R03QJdEKQa1JersGNMRe5Ko/s1600/agi-taipei+county-4.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzUL19PWJx02_iDRfs4ZJ8i0YPbpP8nI8g-lg7BIKOvGi3kmOXPHb3wRdg_ZQa9SpSQNvLgN8WflQVZZ1xmDNskGCAs6YeDlrVwJkJ0pzJ3GBlzbCUt5k7R03QJdEKQa1JersGNMRe5Ko/s400/agi-taipei+county-4.JPG" width="400" /></a></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-list: l0 level1 lfo1; tab-stops: list 18.0pt; text-indent: -18.0pt;"><span style="color: black; font-family: 標楷體;"> </span><span style="color: #666666; font-family: 標楷體;">指尖的詩緒<span lang="EN-US">/ </span>陳怡潔、莊馥華<span lang="EN-US"><o:p></o:p></span></span></div><div class="MsoBodyTextIndent2" style="margin-left: 18.0pt;"><span lang="EN-US" style="color: #666666; font-family: Arial;">Poetry of Fingertips/ Agi Chen, Fu-hua Chuang<o:p></o:p></span><br />
<span class="Apple-style-span" style="color: #666666;"><span lang="EN-US" style="font-family: Arial;"><span class="Apple-style-span" style="font-family: 標楷體;">地面燈光設置/</span></span><span lang="EN-US" style="font-family: Arial;">I</span><span class="Apple-style-span" style="font-family: Arial;">nstallation of Ground Lamps</span></span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-para-margin-left: 1.5gd;"><span class="Apple-style-span" style="color: #666666;"><br />
</span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-para-margin-left: 1.5gd;"><span style="color: #666666; font-family: 標楷體;">這是一件以彩色嵌燈表現點字形象的人行道舖面作品,我以莊馥華與海倫凱勒兩位多重障礙女詩人的詩作,跨越時空,讓生命際遇相似的女詩人在圓圈中心交會,轉化為一連串彩色繽紛的光影,使您透過作品體驗藝術家對弱勢朋友的關懷與愛心。</span><br />
<span class="Apple-style-span" style="font-family: Arial;">This public art</span><span class="Apple-style-span" style="font-family: Arial;"> work incorporates colorful ground lamps embedded as Braille codes on the pavement. I've endeavored an encounter for the two poets, Fu-hua Chuang and Helen Keller who both suffer from multiple disabilities, to share their life experience. When the two writers’ lines connect in a circle, such encounter symbolizes two poets embrace each other transcending time and space. Furthermore, the encounter has transformed to colorful hues and shades, glittering the viewers’ affection and concern for the under-privileged groups.</span></div><br />
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<div class="separator" style="clear: both; text-align: justify;"></div><div class="MsoNormal" style="margin-left: 12pt;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="color: #666666;"><span class="Apple-style-span" style="font-family: 'Times New Roman';"><span class="Apple-style-span" style="font-family: 標楷體;">「臺北縣政府文化局公共藝術設置計畫-</span></span><span class="Apple-style-span" style="font-family: 標楷體;">城市身影<span lang="EN-US">--</span>關於她的二、三事</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><span class="Apple-style-span" style="font-family: 標楷體;">」</span></span></span><br />
<span class="Apple-style-span" style="color: #666666; font-family: 'Times New Roman';"><span class="Apple-style-span" style="font-family: 標楷體;"> /</span><span class="Apple-style-span" style="font-family: 'Arial Unicode MS';">Public Art Installation Project of CABTC-</span></span><span class="Apple-style-span" style="font-family: 標楷體;"><span class="Apple-style-span" style="font-family: 'Times New Roman';"><span class="Apple-style-span" style="color: #666666; font-family: 'Arial Unicode MS';">Sketch of City—the Tales about Her</span></span><span class="Apple-style-span" style="color: #999999;"> </span></span><br />
<span class="Apple-style-span" style="font-family: 標楷體;"><span class="Apple-style-span" style="color: #999999;"> </span><a href="http://www.culture.tpc.gov.tw/web/News?command=showDetail&postId=212121" style="font-size: small;">http://www.culture.tpc.gov.tw/web/Newscommand=showDetail&postId=212121</a></span></div></div>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-14381723608193224612011-01-02T03:39:00.011+08:002012-08-14T04:11:38.666+08:00Art work:關鍵影格/The Key Frames<div class="separator" style="clear: both; text-align: center;">
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國立台南藝術大學 威尼斯建築雙年展台灣館 Tainan National University of The Arts</div>
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卡通作為一種抽象化、虛擬化的現實,它透過電視媒體不斷地重複播放而成為大眾生活中一個變奏地場景,並造就出觀眾的集體視覺記憶。在「關鍵影格」作品當中,我以卡通角色的色彩將之抽象化為同心圓,再置入從影片擷取出地關鍵影格,即試圖在抽象與具象的符號之間逼現那不可見的集體視覺記憶。</div>
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As an abstract and Virtual reality, cartoon becomes a variation of scene in public life through mass media repetition, and it brings out the collective visual memory of the audience. In "The Key Frames", I analyze the pallet of the cartoon characters, abstract them into centric circles and place them back to the key frames captured from the cartoon. Through this process, I attempt to approach the invisible collective visual reality between the abstract and concrete symbols.</div>
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國立台南藝術大學 Tainan National University of the Arts/ photos by 信藤博之</div>
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-90430365930591295362010-10-29T22:41:00.013+08:002011-01-26T03:14:27.552+08:00Public art:時光流,記憶體-好時光藝術節 / Time and Memory-Good Time Public Art project<div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvUxTsN_PJ3aCVs_5MGKdDw5OtFcq7-PSqo5MNtFC7aR19mgp7Uu86TEuWhWQQ9GRw-FA2ykY4GcxBQdsFFa0AgaaT39u_BVrJU3IW6wMd_3Ju57_ioyng5_PXGRniDMY12ZtNf_aPXYU/s1600/%25E5%258F%25B0%25E5%258D%259A%25EF%25BC%259A%25E6%2599%2582%25E5%2585%2589%25E6%25B5%2581%25EF%25BC%258C%25E8%25A8%2598%25E6%2586%25B6%25E9%25AB%2594-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvUxTsN_PJ3aCVs_5MGKdDw5OtFcq7-PSqo5MNtFC7aR19mgp7Uu86TEuWhWQQ9GRw-FA2ykY4GcxBQdsFFa0AgaaT39u_BVrJU3IW6wMd_3Ju57_ioyng5_PXGRniDMY12ZtNf_aPXYU/s400/%25E5%258F%25B0%25E5%258D%259A%25EF%25BC%259A%25E6%2599%2582%25E5%2585%2589%25E6%25B5%2581%25EF%25BC%258C%25E8%25A8%2598%25E6%2586%25B6%25E9%25AB%2594-4.jpg" width="400" /></a></div><div style="text-align: right;">國立台灣博物館/ National Taiwan Museum</div><br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;">我從台博館公共藝術案主題"好時光"找出一種重新觀看歷史的思考點,因此這個作品的構想來自於幾個主要的線索,一個是在我函數色彩系列的作品中,透過抽象的幾何圖形(同心圓)與具象的都市場景所產生的衝突感重組視覺語彙,這個衝突感我把它解讀為一種新連結的開始。這個新連結也許是在具象與抽象之間,也許是在時間與空間之間,所以我希望以歷史建築物作為作品投影的介面,因為它迷人的地方在於它不屬於當下而獨步當下的優雅。具有歷史感的建築體提供了一個深具往返過去與當下的時光轉換介面,具備著開啟、穿越的語言;同時他也是個標誌區域的座標點。簡言之,這件作品所想做的是藉由歷史去想像歷史。許多人、事、物等發生的情境隨著時間的流逝而消逝,因此我們必須藉由歷史去對過去進行想像,而所謂歷史的呈現不盡然是文字的,它還包括了圖像、影像、建築、服飾、器物、音樂...等等,而這些視覺符號就像是時空轉換的傳送點,看到了它們,我們就會開始踏上某種想像的旅程。</span></div><div style="text-align: justify;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;"><span lang="EN-US" style="font-family: Arial;">As the theme of the public art project of National Taiwan Museum, “Good Time” inspired me to </span><span lang="EN-US" style="font-family: Arial;">find a re-thinking point of view of history. So my idea was mainly from several clues, including “Function Color” series, which combine the abstract geometry (concentric circles) and the urban scene as the conflict arising from reorganization of the visual vocabulary of feeling. And I interpret the sense of this conflict as the beginning of a new link. This new link is between figuration and abstraction, or between time and space. I made the historic buildings as the interface of projection, because the most fascinating part is that it doesn’t belong to the present time but gracefully locates on the street. In short, I try to make an historical imagination through this work. And so-called history doesn’t only refer to words, it includes graphics, images, architecture, clothing, implements, music’s…ect. These visual signs just like the teleports for changing into different time and space. We will start our imaginative journey once we see them.</span></span></div><a name='more'></a></div><br />
<object height="295" style="background-image: url(http://i4.ytimg.com/vi/KElShuj3ung/hqdefault.jpg);" width="480"><param name="movie" value="http://www.youtube.com/v/KElShuj3ung?fs=1&hl=zh_TW"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/KElShuj3ung?fs=1&hl=zh_TW" width="480" height="295" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash"></embed></object></div><div style="text-align: justify;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;"><span lang="EN-US" style="font-family: Arial;"></span></span><br />
<div style="border-collapse: separate; color: black; font-family: 'LiHei Pro'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;"><span lang="EN-US" style="font-family: Arial;"><span class="Apple-style-span" style="color: #666666; font-family: Arial;">活動:2010好時光城市藝術節/ 2010 Good-Time Public Art Festival </span></span></span></div><div style="border-collapse: separate; color: black; font-family: Verdana; font-size: 16px; margin-bottom: 0px; margin-top: 0px; text-align: justify;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;"><span lang="EN-US" style="font-family: Arial;"><span class="Apple-style-span" style="color: #666666;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-size: small;">主辦:國立</span></span><span class="Apple-style-span" style="font-family: Arial; font-size: small;">台灣博物館/ National Taiwan Museum</span></span></span></span></div></div><div style="border-collapse: separate; color: black; font-family: Verdana; margin-bottom: 0px; margin-top: 0px; text-align: justify;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;"><span lang="EN-US" style="font-family: Arial;"><span class="Apple-style-span" style="color: #666666;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-size: small;">承辦:麻力國際文化試驗所/ <span class="Apple-style-span" style="font-family: 新細明體, arial;">VERY Conception Corporation</span></span></span></span></span></span></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Verdana;"><span lang="EN-US" style="font-family: Arial;"><span class="Apple-style-span" style="color: #666666;"><span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: 新細明體, arial;"></span></span><span class="Apple-style-span" style="font-family: verdana; font-size: 16px;"><span class="Apple-style-span" style="font-size: small;">藝術家團隊:陳怡潔+鬧台妄想教室/ Agi Chen & Nautai Delusional Studio</span></span></span></span></span></span></div></div></div>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-37961842011588598962010-09-24T01:20:00.005+08:002011-01-18T03:14:15.605+08:00時光流‧記憶體工作坊/ The Workshop of ''Time and Memory''<object height="295" width="480"><param name="movie" value="http://www.youtube.com/v/Q0bZAO-kPVA?fs=1&hl=zh_TW"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Q0bZAO-kPVA?fs=1&hl=zh_TW" width="480" height="295" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash"></embed></object><br />
<div><span class="Apple-style-span" style="color: #666666; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 12px;"><span class="Apple-style-span">「時光流-記憶體」建築投影工作坊/ The Workshop</span></span><br />
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<div><span class="Apple-style-span" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"></span><span class="Apple-style-span" style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">地點 臺博土銀展示館,4F會議室</span></div><div><span class="Apple-style-span" style="color: #666666; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 12px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">工作坊講師:陳怡潔、柯智豪、葉俊慶、葉家銘</span></span></div><div><span class="Apple-style-span" style="color: #666666; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 12px;"><span class="Apple-style-span" style="font-family: Georgia, serif;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;">工作坊相關連結:</span></span></span></span></span></div><div><span class="Apple-style-span" style="color: #666666; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 12px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-size: medium;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><span class="Apple-style-span" style="color: #999999;"></span><a href="http://www.facebook.com/event.php?eid=104954719563302&index=1" style="color: #999999; text-decoration: none;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #999999;">http://www.facebook.com/event.php?eid=104954719563302&index=1</span></span></span></a></span></span></span></span></div><div><span class="Apple-style-span" style="color: #666666; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 12px;"><a href="http://www.goodtimepublic.com.tw/" style="color: #999999; text-decoration: none;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #999999;">http://www.goodtimepublic.com.tw/</span></span></span></a></span></div></div>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-88308747093072048642010-08-25T10:11:00.003+08:002011-01-23T05:31:31.804+08:00好時光公共藝術節開幕/Good Time Public Art Festival Opening<div style="text-align: center;"><object height="344" style="background-image: url(http://i2.ytimg.com/vi/5sKFjJU7Oys/hqdefault.jpg);" width="425"><param name="movie" value="http://www.youtube.com/v/5sKFjJU7Oys?fs=1&hl=zh_TW"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/5sKFjJU7Oys?fs=1&hl=zh_TW" width="425" height="344" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash"></embed></object></div>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-23497237311432747132010-06-18T12:52:00.010+08:002012-12-26T00:45:23.629+08:00Public art:雲影鎏光-/The Shadow of Cloud in the Gilding Light(public art project)<div class="separator" style="clear: both; text-align: center;">
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藝術家:林光沂、陳怡潔/artists: Kuang-i, Lin &amp & Agi Chen </div>
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「雲影鎏光」為座落於嘉義縣之國立新港藝術高中一件公共藝術,一件由我與林光沂老師共同合作的作品,林光沂在交趾陶此傳統工藝的成就精采,並且同時是新港鄉人氏,我在其作品發現「雲朵」在廟宇文化中扮演著重要的配角角色,卻未曾被當做主角加以表現,於是我擷取其作品中雲的造型予以重新詮釋,完成了這件總長280公尺的作品。在白天,作品充滿色彩的魔力和青春的活力,在校園空間展現出流動的趣味,並產生豐富的能量;到晚上,太陽下山後,燈光開啟,環狀的「風雨走廊」呈現全新的風景,為新港藝術高中創造了一個嶄新的氛圍。</div>
"The Shadow of Cloud in the Gilding Light" with the length of 280m is one of the longest and largest public artworks at Taiwan. This piece is collaboration between Mr.Lin and me, in which tradition and modern art, new and old have the best communication and conversation.<br />
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藝術傳SING-國立新港藝術高中公共藝術設置計畫</div>
主辦單位:國立新港藝術高中<br />
承辦:橘園國際藝術策展股份有限公司<br />
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Passing around Arts through Singing</div>
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Sponsor: National Singang Senior High School of Arts</div>
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Executive Team: L'Orangerie International Art Consultant Co. Ltd </div>
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com1tag:blogger.com,1999:blog-9047029581834795119.post-83156595198783035172010-06-18T06:15:00.012+08:002012-12-26T00:46:18.204+08:00雲光鎏影(夜景)/night view<div class="separator" style="clear: both; text-align: center;">
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記錄片拍攝:林重佑/ documentary film by Chung-Yo, Lin </div>
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Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-43383715812457248432010-02-14T20:00:00.006+08:002011-01-23T18:07:07.771+08:00Art work:函數色彩/Function Color<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"></div><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_it13J_dSiAs/S1W6Nkbg2qI/AAAAAAAAAOw/fqFDAV31FNg/s1600/The+Heroic+Color_Taipei+MOCA_Agi+Chen+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://2.bp.blogspot.com/_it13J_dSiAs/S1W6Nkbg2qI/AAAAAAAAAOw/fqFDAV31FNg/s400/The+Heroic+Color_Taipei+MOCA_Agi+Chen+%25282%2529.jpg" width="400" /></a></div><div style="text-align: right;">超能救世主/台北當代藝術館 The Heroic Colors/ Taipei MOCA</div><br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">「函數色彩」系列作品的發展根植在個人對於卡漫世界這一虛擬對象的再度虛擬化,並以設定一個新的度量衡介面去鬆動卡漫角色的意義結構。發展過程中,由同心圓被置入原故事場景的圖像中可探出,被個人再度虛擬化的對象,亦不斷地將我個人予以虛擬化,斷裂的意義在具像與抽象的符號之間反覆著 “斷裂—重新搭設—結構—再度斷裂”的週期,標誌出一個沒有終點的空間關係。創作過程中,個人抽取出卡漫角色的色彩,將其化約為色彩矩陣、色彩同心圓,此一將色彩矩陣化、幾何化的過程,使色彩與角色造型脫離並再度置入於幾何造型之中,藉由我所設定的幾何介面的順序編列,色彩因而指向色彩的組合與結構。「函數色彩」系列作品中,「函數」雖然意味著序列化與規格化,但幾何化的色彩在表述自身色彩結構比例的同時,亦指向一個不在場的對象,因此可說是往返於一個還原的過程,而非呈現一個被還原的對象或一個還原的結果。作品的製作是由向量數位繪圖而成,在數位的向量空間中,作品的製作由視窗內的製作延伸到佈景式的展示空間,如同訊息的製作到發射到現場,數位媒體可複製且不受空間所囿限的材質特性,讓每個展示的現場成為了一個被訊息所包覆的現場,現場即為一個場景的搭設,如果說圖像可做為一個通往想像世界的窗口,那麼在個人作品中窗口已經化身為想像世界本身了。</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">The main idea of my serials works “Function Color” roots in a imagination of fictive cartoon characters— Is there any significance within the color of the popular characters? In the procession, I abstract the colors from the characters, and render the colors into a new geometric interface — the centric circle. Then I put the color centric circles back to the scene of the original cartoon. “Function” in my works means standardizing, the geometric form displays a color structure and points toward an absent subject at the same time, it’s like being back and forth in reducing procession. The color centric circle and the cartoon scene just keep cracking and making meanings to each other endlessly. The meanings in my works repeat a routine of “ cracking—rebuilding—structure—cracking”.“Function Color” is digital vector graphic. The print quality of vector space isn’t limited by the size. So the procession from producing to installation likes shooting message to every show place. If a picture or image could be a path to the imagination, then in my work, the image is the imagination itself.</div><a name='more'></a><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_it13J_dSiAs/S1W7FxLrTDI/AAAAAAAAAPM/31f5twL6qXs/s1600/The+Heroic+Color_Agi+Chen+%25285%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/_it13J_dSiAs/S1W7FxLrTDI/AAAAAAAAAPM/31f5twL6qXs/s400/The+Heroic+Color_Agi+Chen+%25285%2529.jpg" width="261" /></a></div>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com1tag:blogger.com,1999:blog-9047029581834795119.post-72195736542870526972010-02-14T09:03:00.006+08:002011-01-23T20:45:16.810+08:00Art work:趨光體/ The Phototaxis<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_it13J_dSiAs/S1WyA-I_2SI/AAAAAAAAALA/8cO8AWxZOTA/s1600/messenger_06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://2.bp.blogspot.com/_it13J_dSiAs/S1WyA-I_2SI/AAAAAAAAALA/8cO8AWxZOTA/s400/messenger_06.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: right;">驅光體-電影院/Phototaxis-The theater</div><div class="separator" style="clear: both; text-align: right;"><br />
</div><div style="text-align: justify;">物理世界的太陽光、以及各種照明光讓人的視知覺得以作用,進而分辨出了物理空間中物件的秩序、形態、質感,受到光的刺激,人對環境產生了視覺性的認知系統,同時也是一個以肉身為度量衡的知覺系統,在這個系統中我們對於所有對象的認知正仰賴光源,換言之,視覺畫面中的所有物件,皆為光的折射效果,若失去了光源,我們仍然可以用聽覺、觸覺、味覺等等去找到一個與世界對應的位置。然而,在數位世界中,所有的視覺物似乎脫離了這個仰賴著物理光源的認識系統,數位訊號透過螢幕、數位投影等機器所呈現的視覺畫面,雖讓我們能夠目視一切,但是這些訊號光,已不再僅是作為照亮的媒介,而是作為一種經由編碼後傳遞出訊號,這些光發散出的影像世界,與物理世界毫無聯繫,關了電源,人也就和它失去了聯繫。這樣的訊號光極具有吸引力,因為只要開了電源,我們就觸及了在另一個視覺畫面,一個可供人恣意切換的視覺空間。這種脫離肉身所度量之世界的快感,似乎成為了當代生活的主題之一,從隨身的手機、筆記型電腦、電動遊戲機到大眾交通工具、百貨公司、電影院的大屏幕,我們隨時處在一種不斷切換的狀態,當目光擺像這些訊號光,即切進了數位訊號的世界,我們即便共處在同一個物理空間,依然無法對視。在這些訊號光所組成的視覺裝置中,我們僅僅趨著光且凝視之。</div><div style="text-align: justify;">The physical world, the sun, and a variety of illumination light to the role of people's visual perception and thus identify the physical space in the order of objects, shape, texture, by the light stimulation, people on the environment of the visual cognitive system, while is also a perception in the flesh for the weights and measures system, in this system, all objects in our awareness of being dependent on light source, in other words, visual images of all the objects are all run effects of light refraction, if the loss of light, we can still use auditory , touch, taste, and so to find a location corresponding with the world. However, in the digital world, all the visual things seem out of this relies on an understanding of the physical light source systems, digital signal through a screen, digital projectors and other visual images presented by the machine, though so that we can all visual, but the signal light, is no longer only as a medium for light, but as a kind of pass out through the encoded signal, the light diverges out of the image in the world, with the physical world there is no contact off the power, people, and it also lost contact. This signals a very attractive light, as long as the power to open, we touched on in another visual image, a vision for human space for arbitrary switching. This estrangement from the flesh of the world, measured by pleasure, seems to have become one of the themes of contemporary life, from the portable phone, notebook computers, video games to the public transport, department stores, big-screen movie theater, we stand at the a constant state of switching, when the eyes placed like these signal light, which cut into the digital signal of the world, we even live together in the same physical space, remains unable to visually. These signals are composed of light in the visual device, we have only the light and the gaze of the trend.</div><a name='more'></a><br />
<div style="text-align: justify;">而從另一個角度來看待,也可說是肉軀被訊息介面給規格化後,不斷的反覆著同一性的單一舉動,因為訊息傳遞的途徑係為一個沒有歷程的捷徑。然而,所接收的訊息越大量同時也暗示著人之意識被碎裂為相對多量的片面,甚至經由訊息共時間的大量傳播,收訊成為一個集體共遊的狀態,同一件事情可能在成千上萬個腦袋裡同時播放,我們再各自的訊息平台上遊歷著相同的場景。由此可看出,訊息平台提供了一個均質的活動介面,但也同時等質化了表述的模式,在一個制定好的選單上,我們選擇個人所好的同時,同樣也是被選擇的結果,訊息規格化了我們的感受,與其悲觀地說我們的感知正被抹除,不如期待一個新的感知模式正在建構我們的身體—一個被給予、被冊錄、規劃、編排的身體。</div><div style="text-align: justify;">Viewed from another perspective, it can be said to be flesh to the standardized message interface, the constantly repeated the identity of a single move, because the way messaging system as a journey without shortcuts. However, the large number of messages received and also imply that the more people's consciousness has been broken up into relatively large amounts of one-sided, or even by the total time of a large number of messages transmitted, the recipient to become a collective total of travel status, the same thing may be thousands of tens of thousands of head while playing, the message of our respective platforms and then traveled with the same scenario. From this we can see, the message platform provides a homogeneous interface activity, but also other qualitative representation of the model, to develop a good menu, we select good individuals at the same time, it is also be the result of choice , the message normalized our feelings, rather pessimistically that our perceptions are being erased, it is better looking forward to a new perceptual model is build our bodies - one was given, was recorded books, planning, scheduling body.</div><div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_it13J_dSiAs/S1WycRfVgwI/AAAAAAAAALQ/kODtV-8odsc/s1600/KTV_front%25EF%25BC%25BFs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="187" src="http://4.bp.blogspot.com/_it13J_dSiAs/S1WycRfVgwI/AAAAAAAAALQ/kODtV-8odsc/s400/KTV_front%25EF%25BC%25BFs.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_it13J_dSiAs/S1Wyf9c__dI/AAAAAAAAALU/l3XKwYpxb4E/s1600/KTV_side_s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="227" src="http://3.bp.blogspot.com/_it13J_dSiAs/S1Wyf9c__dI/AAAAAAAAALU/l3XKwYpxb4E/s400/KTV_side_s.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_it13J_dSiAs/S1WyxHtDasI/AAAAAAAAALg/Xe-x5grMnoQ/s1600/KTV_top_s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://4.bp.blogspot.com/_it13J_dSiAs/S1WyxHtDasI/AAAAAAAAALg/Xe-x5grMnoQ/s400/KTV_top_s.jpg" width="400" /></a></div><div style="text-align: center;">驅光體-KTV/Phototaxis-KTV</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbL7ZWdybz9xUKr5nf4P4Pj9MYE8u1oTzTE84Hs5jl2eNtYe7WuETeVQINFJbVKZeH_rX-CaKlw4aGMfnFz5HMsHBYxn_Rze0wZlCmdW-18uN6ot0e9BaGWtYpv7kBopoB4q82CVMLhw/s1600/messenger_agi_TaipeiMOCA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbL7ZWdybz9xUKr5nf4P4Pj9MYE8u1oTzTE84Hs5jl2eNtYe7WuETeVQINFJbVKZeH_rX-CaKlw4aGMfnFz5HMsHBYxn_Rze0wZlCmdW-18uN6ot0e9BaGWtYpv7kBopoB4q82CVMLhw/s400/messenger_agi_TaipeiMOCA.jpg" width="400" /></a></div><div style="text-align: center;">「訊息人」於台北當代藝術館/ "Messengers" at Taipei MOCA</div>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0tag:blogger.com,1999:blog-9047029581834795119.post-73665039320783278372010-01-23T14:27:00.007+08:002011-01-26T02:28:17.918+08:00Art work:再造物語/The Reproduction<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSB7C_c1nnxy9-wh6RQERUGRsEksUgRCzrPEoYnHfsgNbKvQ_Iy__Zu8npeB4ZAmUh8UrCAP9uZn1wyZHW2xNdXvab3elfT4oAFhN9xPzH05PdMPQxAeapS7n4X7k1B_EBg5OaPibIA5Y/s1600/agi_reproduction.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSB7C_c1nnxy9-wh6RQERUGRsEksUgRCzrPEoYnHfsgNbKvQ_Iy__Zu8npeB4ZAmUh8UrCAP9uZn1wyZHW2xNdXvab3elfT4oAFhN9xPzH05PdMPQxAeapS7n4X7k1B_EBg5OaPibIA5Y/s400/agi_reproduction.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: right;">再造物語-男與女,展出於伊通公園/The Reproduction-Male and Female, IT-Park </div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
或許, 生活在數位化的生活場景中是一件很幸福的事情!</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">「再造物語」試圖透過模擬、演算的方式將果實與肉身等的立體狀態轉碼為扁平的圖式, 以“模擬”作為一種 “重構”的起點, 在觀看過程中,改變的不是數位生活場景的內容, 而是一種介入的方式、一種閱讀的方式、一種觀看的方式, 電子媒體化的世界並非取消了生命的內容物, 而是透過擷取、編碼、重組、儲存、系統化的過程再造一個延伸的世界。</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Living in a digitalized environment could be a blessing of man.</div><div>In the process of seeing “Simulation” as the beginning of “recreation (reconstruction)”, the real changing is not the content of digitalized environment scene but the ways of reading, intervention and seeing. The world inside of the electronic media dose not cancel the meaning of real life but through the systematically process of data collecting, coding, reconstruction, information storage…etc to create an ever expanding world.<br />
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">「再造物語」的系列創作的構想來自於一種對於生命體的未來想像以及既存經驗的回溯, 當現實的生活中可能有超過一半的比例是需要透過電子化媒體來完成的時候,該如何看待生命、對象、情感呢?透過這些電子化媒體,生命正被被媒體擴充、延伸著,若從電子媒體的生活經驗來思考「生命」,「自然」這既成的事實變為一件很難令人滿足的解答,因為我們更著迷的是再造世界中無法觸及的『自然』經驗—一個可以被開展、編碼、另存的操作經驗。換言之,由非物質(immaterial)的電子技術介面所帶來的超越體能極限之能力,一方面邊緣化著我們的肢體感官;一方面無邊無底的擴增我們意識的版圖,使人之存有成為一種寄居於軀殼內、網路,和消費社會的大眾傳播媒介的生存狀態。而除功能性的滿足之外,電子媒體化令人著迷於其中還有一種「超越的」、「理想式的」精神,一種擺脫人作為一個「已被命名的生命體」的追求,隨著技術不斷地進展,似乎已經不敢斷言何為可能、何為不可能。</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">In the era of half of your daily life will go through the electronic media, how will we to treat and think of our life, emotions or things in front of us? Works of “The reproduction” come from the ideas of imagining the future beings and the recall of existed experiences.</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Life is expanding by electronic technologies in now days. Somehow while us rethinking about the “Life”, “Nature” which inside of the electronic media realm, we will found there were no ordinary answer for us anymore. Inside of this digital simulation world, the essence of “Nature” that catch our mind are experiences of free exploring, coding and re-saving but never a touchable reality. In other words, although the immaterial character of electronic technologies help us to cross the limitation of our physical capability, yet it also marginalized our body sensations. With electronic technologies we could infinite expanding our mental territory, and turned the life status of ourselves become the ghostly inquilines of our body, internet and the mass media of consumption society. Besides of the functional satisfaction, there still charms of electronic media such as the ideas of “transcendence”, “ideal” and aspire of seeking to go beyond the “named creature”. Following the development of technologies the boundaries of “possible” and “impossible”, “able” and “unable” gradually getting blurred. Through the digital simulation and the electronic computing “The reproduction “intend to change the solid status of bodies, fruits…etc become the plate patterns. </div><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_it13J_dSiAs/S1Rrpy-6uzI/AAAAAAAAAHw/Teef3z4fUEg/s1600/IMG_1977.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://2.bp.blogspot.com/_it13J_dSiAs/S1Rrpy-6uzI/AAAAAAAAAHw/Teef3z4fUEg/s400/IMG_1977.JPG" width="400" /></a></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVaLJpEA5b1zUJMdCragWWpnR1d_veZtdMoFi_-j-iTR_LXSviUpnnh_Y28J3N5yuhRIYYEn6z7KItcvrV0gZLaXFzevN-9nv7L2dZWxz1UX29TPpwNqbY-1pzgep0a2Sd1zaTQAHj-Ig/s1600-h/Reproduction-ITPark02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5439586728091512898" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVaLJpEA5b1zUJMdCragWWpnR1d_veZtdMoFi_-j-iTR_LXSviUpnnh_Y28J3N5yuhRIYYEn6z7KItcvrV0gZLaXFzevN-9nv7L2dZWxz1UX29TPpwNqbY-1pzgep0a2Sd1zaTQAHj-Ig/s400/Reproduction-ITPark02.jpg" style="cursor: hand; cursor: pointer; display: block; height: 267px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwWVeb1eO6X3tdkJKM_hp_bYUx14Bp2aDB7QfULTro-6o8xtiLcQPpMeS_cu80KDJZxRUgFboG8OZufqG0QAOqUpACSVaydDhA8gXe14dGGyEbW6kr9WlUWQfP4hDizPNueKZslOEC3JU/s1600-h/Reproduction-ITPark07.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5439586721658284210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwWVeb1eO6X3tdkJKM_hp_bYUx14Bp2aDB7QfULTro-6o8xtiLcQPpMeS_cu80KDJZxRUgFboG8OZufqG0QAOqUpACSVaydDhA8gXe14dGGyEbW6kr9WlUWQfP4hDizPNueKZslOEC3JU/s400/Reproduction-ITPark07.jpg" style="cursor: hand; cursor: pointer; display: block; height: 267px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA8_CJM6aDkme2dsr8PZGc67NYgE2fdhMKqMJwBUxTTQ0kRwjfOudE_VMb8PjQfaIeJ_C6PkOr5m0Hayc3VGndVA4nppRJALwvu2h8pxB5AnRa3iAcfDiC0HiZh1ug8r2Zq0N-mUNnwvo/s1600-h/Reproduction-ITPark06.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5439586710247104530" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA8_CJM6aDkme2dsr8PZGc67NYgE2fdhMKqMJwBUxTTQ0kRwjfOudE_VMb8PjQfaIeJ_C6PkOr5m0Hayc3VGndVA4nppRJALwvu2h8pxB5AnRa3iAcfDiC0HiZh1ug8r2Zq0N-mUNnwvo/s400/Reproduction-ITPark06.jpg" style="cursor: hand; cursor: pointer; display: block; height: 267px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a>Agi Chenhttp://www.blogger.com/profile/10767556019612292752noreply@blogger.com0